Despite mimesis as a narrative necessity and primary constructive principle of cinema being virtually absent in the lexicon of Indian filmmakers, their films work for the intended audiences, finds MK Raghavendra in his latest visitation of Indian films in the seminal...
Fire asks society a few uncomfortable questions. Is the desire to love someone beyond the periphery of the heteronormative relationship a sin? Can a woman not love another woman, or a man love another man? Even in this modern age, why do certain societies step...
Every era imprints its cultural vogue on its arts. Just over a decade following the onslaught of the information-technology wave thus the template of popular Malayalam cinema predictably underwent a radical change. Since someone has already coined a...
AFTER SPENDING OVER FORTY-FIVE years in media and entertainment, actively working in all sectors at the top, I decided it was time to quit working for profit. However, having spent a lifetime pursuing not only a passion but being involved with various arts and crafts...
Adoor Gopalakrishnan’s Anantaram (1987), his fifth film and its three preceding films have a common approach of a biography of an individual. They get deeper and deeper as we move from his second film onwards. While Kodiyettam (1978) follows the carefree Shankaran...
In the present landscape of Indian cinematic productions, the ever-growing number of female authors brings a fresh breath of air that comes with interesting stories, powerful female characters, and challenging perspectives on various social, political, and cultural...
digital What has caused the death of single screen theatres? Unlike in the past when were they were the only platform for watching feature films, today a variety of alternative media are readily available. The technological wave has effectively ensured that the...
Shyam Benegal: the Affable Auteur “Weave a circle around him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.” -Samuel Taylor Coleridge, ‘Kubla Khan’ The most endearing aspect of Shyam Benegal as an...
Girish Kasaravallii I am not making a “perfect” film, I am making an “imperfect” film. To me, cinema is a powerful tool for challenging existing notions. -Girish Kasaravalli True to his stated philosophy and approach to cinema, noted Padmashri Awardee Kannada...
Geeta Dutt ‘Tis not through envy of thy happy lot, But being too happy in thy happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. – John Keats, Ode to a...
