Journal of Indian Cinema

Vol. 1. Iss. 19 | July 2020

Film Critics Circle of India
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Face to face — the cinema of Adoor Gopalakrishnan

Sathya Saran | July 03

The book delineates the “major political, social and cultural landscapes that inform the cinema of Adoor.” This I believe is quite necessary in a country in which, increasingly, divisions between states, regions and cultural and religious beliefs are getting deeper as people draw tight the strings of their identities to exclude others…

… It traces the development and growth of the maker’s artistic and creative genius that would place him among the cinematic greats of the world… Perhaps it will encourage the re-release of Adoor Gopalakrishnan’s films with subtitles, so a wider audience can view and appreciate them. In Adoor’s films lie a window to a greater understanding of the Indian psyche, which, thanks to this book, might be opened wider.

read BOOK REVIEW

 

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Ideology matters — film criticism in new Malayalam cinema

Premchand | July 18

The arthouse films could never serve as a real parallel. It had to yield to the power play of state-run machineries, the way mainstream films were, and still are, to private production houses…

… Post-1991, the threat of advertisement ban has made criticism near impossible—ads being a major source of revenue. Capital is becoming more arrogant and intolerant towards criticism in any form.

read CRITICISM

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[athird_col title=”DOCUMENTARY: Chiaroscuro” info=”Parthajit Baruah’s documentary Chiaroscuro is now available online.”][youtube_advanced url=”https://www.youtube.com/watch?v=Cg8XVZxZedQ” width=”280″ height=”200″ responsive=”yes” autoplay=”yes”][/athird_col][athird_col title=”REVIEW: Rockstar” info=”Rahul Desai, et al discuss Rockstar with the maker of the film, Imtiaz Ali.”][youtube_advanced url=”https://www.youtube.com/watch?v=Buzw0W1WZNU” width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col][athird_col title=”REVIEW: ‘Breathe: Into the Shadows.'” info=”Rahul Desai reviews the film ‘Breathe: Into the Shadows.'”][youtube_advanced url=”https://www.youtube.com/watch?v=SNOr41XUz54″ width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col]

[athird_col title=”REVIEW: the window, in Ray’s cinema” info=”Amitava Nag talks about the window in the cinema of Ray.”][youtube_advanced url=”https://www.youtube.com/watch?v=opa4E6R08Wc” width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col][athird_col title=”INTERVIEW: Fahad Faasil” info=”Baradwaj Rangan et al in conversation with Fahad Faasil.”][youtube_advanced url=”https://www.youtube.com/watch?v=zVuwYiS2Eu8″ width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col][athird_col title=”ASK BR: K. Balachander” info=”Baradwaj Rangan replies to fans on filmmaker K. Balachander.”][youtube_advanced url=”https://www.youtube.com/watch?v=LnjSv-jVprQ” width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col]

[athird_col title=”FILM COMPANION: Fahadh Faasil” info=”Fahadh talks about his performance style, landmark films, and favourite performances.”][youtube_advanced url=”https://www.youtube.com/watch?v=4Lv-yLDOUUU” width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col][athird_col title=”FIPRESCI-India: Malayalam cinema” info=”Madhu Eravankara, Premchand, et al speak on ‘New Malayalam Cinema Appeal Challenges and Prospects.'”][youtube_advanced url=”https://www.youtube.com/watch?v=vsaLQV21ojY” width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col][athird_col title=”FIPRESCI-India: NE cinema” info=”Manoj Barpujari et al speak on ‘Cinemas of Northeast India A Resurgence.'”][youtube_advanced url=”https://www.youtube.com/watch?v=OHlxFbCSsBE” width=”280″ height=”200″ responsive=”yes” autoplay=”no”][/athird_col]

New York Indian Film Festival (NYIFF)

The 2020 edition of NYIFF, conducted in association with the site Movie Saints, is an online one, and runs Jul 24 – Aug 02 | https://nyiff.moviesaints.com/bundle/nyiff2020

Festival director: Aseem Chhabra

ALL ISSUES

Journal of Indian Cinema

Vol. 1. Iss. 01–29.

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