A case study of the Toulouse Indian Film Festival Cinema is an important medium, and is highly responsible worldwide in constructing otherness.[1] Film industries, since time immemorial, have been aware of this power that it holds, and several papers on this aspect using Hollywood as an example are available.[2] This present study is a result […]
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The cinema market of Kolkata/West Bengal has primarily been dominated by Bengali cinema since the last 5 years. The market leader is Venkatesh Films, a company with huge production & distribution networks. The company produces both critically acclaimed art as well as blockbuster commercial films. Additionally, it produces fiction and non-fiction reality shows for […]
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Our primary research on French spectators of Indian films was conducted nearly a decade ago: the ideal age for a first assessment. At present, although reception studies have begun taking hold in France, there are very few publications for the subject. Firstly, working on the audience-level reception is still not fashionable, and secondly, it is […]
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What has caused the death of single screen theatres? Unlike in the past when were they were the only platform for watching feature films, today a variety of alternative media are readily available. The technological wave has effectively ensured that the spectator isn’t required to travel any distance at all to watch their desired film. […]
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Cinema screening was revived last week in Anantnag when a local theatre —they actually mean ‘Heavan’—welcomed a big batch of CRPF personnel as its first audience in more than three decades, to watch a screening of a Hindi film brought in from Jallundhar. Until about one year ago, the same movie hall was the shelter […]
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Few would know that once upon a time Lucknow also featured on the map of India as a centre of film production. Cinema came to Lucknow via Calcutta. The railway line of the East India Railways (EIR) traversed from Howrah, to Allahabad, to Agra and ended at Ambala. On this route there was much traffic […]
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