Arnab K Middya | Mar 15
It would be very difficult to bring back the aura that the episodes of Ramayana and Mahabharat once had. The days when people wouldn’t dare miss an episode and/or its repeat screening as there was no other option of watching them ever again is long gone. Some might even argue that it would be impossible for theaters to ever again pull crowds the way films such as Sholay and Dilwale Dulhania Le Jayenge once did. This of course isn’t entirely true. For, even though everybody knows that all such content would be available on alternative platforms within weeks if not days, the thrill of watching films on the huge screen in a huge hall with a huge crowd is an altogether different experience.
MK Raghavendra | Mar 15
The selfie’s most obvious cultural precursor was the personal or family photograph. An aspect noted about the family photograph was that its visual quality did not matter. What was important was who took it, on what occasion and when; what people felt about the pictures was much more important than what they ‘meant’ individually. It was equally important that the pictures were shown to other people who could use them to picture events they were not present at, thus situating themselves within a social continuum of some sort.
Gautam Kaul | Mar 15
Cinema came to Kashmir around 1932, on demand from the resident British families who would drive up from Sialkot, Multan, and other cantonments, for the summer season. The British also decided to locate a big cantonment in the suburb of Srinagar town to watch over the doings of the Maharaja of Kashmir, who they never trusted. The first movie hall to be constructed was The Regal, located near the British Residency. A contractor family was pushed into constructing and running the establishment. An Indian exhibitor from Amritsar offered advice on how to run the establishment. And a film distributor of Jallundhar was attached to feed this movie hall with films…
…Cinema screenings in the Valley closed down totally by 1992. In fact, film shooting also came to a close in Kashmir Valley…
…The Valley eventually began to realize that post-1990 a new generation was born that had never been to a movie hall. Video piracy bloomed. The age of viewing films by streaming on laptops also commenced. The elders would talk of seeing films during their youth. And Doordarshan screened films periodically, which were no fun because of the frequent power breaks in homes. The charm of social gatherings to see films had disappeared. The more enterprising ones began to hire taxis to travel to Jammu and Udhampur to see their favourite films. Women would occasionally hire a busload of their friends for such outings. The new National Highway Bypass, which reduced the travel time between Jammu and Srinagar by nearly two hours, also led to the rise of the taxi shuttles between the two towns, solely to ferry cinema patrons.
Premendra Mazumder speaks at the FFSI International Women's Film Festival | Nandan, Kolkata
GPR speaks on ‘Malayalam Cinema: Contested Screens, Contending Economies’ | Kerala
Rafique Baghdadi being interviewed for a documentary on Indian cinema | Mumbai
MK Raghavendra speaks at the international conference for photography | Chennai
Ratnottama Sengupta at scriptwriter Nabendu Ghosh’s 102 birth anniversary celebration | Kolkata
Jai Arjun Singh et al at launch of Filmwalon Ka Adda. Theme: best comedies made in India. | Delhi
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|Ganga Padma Titas: The River Trilogy of Bengali Cinema|
OF SELFIES & PHOTOGRAPHY
MK Raghavendra talks about the selfie, which can be regarded as a development of the amateur family photograph brought up to date by new technology.
FRIDAY FILM REVIEWS
Rahul Desai et al speak on Kesari, Mard Ko Dard Nahi Hota, Delhi Crime, and Made In Heaven, and on the growing fondness of audiences for web series.
FRIDAY FILM REVIEWS
Rahul Desai et al talk about Total Dhamaal, Luka Chuppi and Sonchiriya, and debate on how slapstick & romantic comedies fare against gritty, rustic dramas.
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