The Malayalam filmmaker Don Palathara’s first three films – Shavam: The Corpse (2015), Vith: Seed (2017) and 1956, Travancore (2019) – are marked by the Syrian Catholic setting and the style of slow cinema movement in which they’re shot. Shavam is about a sudden death...
When Adoor Gopalakrishnan, one of the internationally acclaimed Indian filmmakers, launched his first feature film Swayamvaram five decades ago, it was after many years of sustained effort. After passing out of FTII, Pune in 1965, he found it difficult to get a...
Adoor Gopalakrishnan’s Anantaram (1987), his fifth film and its three preceding films have a common approach of a biography of an individual. They get deeper and deeper as we move from his second film onwards. While Kodiyettam (1978) follows the carefree Shankaran...
Which author holds the distinction of being the most adapted writer in the cinema of India? Shakespeare? Tagore? Premchand? Or, perhaps, Dharmvir Bharati? We Indians have never demonstrated excessive love for adaptations. Thus, if one were to list the most iconic...
Joji — a comparative study of four Macbeth inspirations Literary works provide off-the-shelf fast food in the pecking order for film makers to ply their trade when writers’ block bite them. However, a majority of these “inspired” adaptations by filmmakers have always...
