The past decade saw a significant shift in the national box office, with dubbed films and remakes featuring unknown South Indian actors achieving massive success, often overshadowing original Bollywood productions banking on its leading stars. This trend is among the...
The 29th International Film Festival of Kerala (IFFK), held in December 2024, witnessed a record-breaking attendance of 13,000 delegates—arguably the highest for any film festival in India. The book by V. K. Cherian, “Noon Films & Magical Renaissance of Malayalam...
Taking Stock of Seven Decades of Fostering Film Culture: Musings on V. K. Cherian’s book “Celluloid to Digital — India’s Film Society Movement” India’s film society movement mirrors the nation’s own journey, as captured in V. K. Cherian’s comprehensive 2016 book,...
Chicks don’t do chick flicks. They do whatever flick interests them, whatever subjects. – Betty Thomas, actress, director & producer. Chick flick is not a term used to praise a movie. Nobody says ‘it’s a great chick flick.’ It’s a way of being derisive. –...
Despite mimesis as a narrative necessity and primary constructive principle of cinema being virtually absent in the lexicon of Indian filmmakers, their films work for the intended audiences, finds MK Raghavendra in his latest visitation of Indian films in the seminal...