At the perspective pith of Photo (Kannada, 2023) is an evocative parable of humanism and human foibles. Set in the time of, and shot during, the sudden and unexpected imposition of the nationwide lockdown, it is an ironic, touching tale of a boy in a village who wishes to go and take an up, close […]
Learn MoreAuthor: S Viswanath
“Nostalgia is meant to give rise to an emotional connection between artist and consumer. The art itself being the canvas on which this connection can be heightened and explored. Sometimes, an artist will use traditional motifs and themes, as opposed to reinterpreted characters and stories, to communicate a sense of ease and familiarity.” -Mike Burdge, […]
Learn MoreBalekempa transcends the story of a simple, quiet, and hardworking bangle seller. The supporting characters bring their own radiance to the narrative, illuminating the otherwise routine activities in the village, where the residents engage in their daily tasks with regimented regularity.
Learn MoreWe are a family, and the loyalty of the family must come before anything and everyone else. For if we honour that commitment, we will never be vanquished – but if we falter in that loyalty we will all be condemned. –Mario Puzo, The Family If a body catch a body coming through the […]
Learn MoreChicks don’t do chick flicks. They do whatever flick interests them, whatever subjects. – Betty Thomas, actress, director & producer. Chick flick is not a term used to praise a movie. Nobody says ‘it’s a great chick flick.’ It’s a way of being derisive. – Carolyn Ann ‘Callie’ Khouri screenwriter, producer, & director. […]
Learn MoreMahishasur Marddini “So many years past being raped, I tell myself what happened is ‘in the past.’ This is only partly true. In too many ways, the past is still with me. The past is written on my body. I carry it every single day. The past sometimes feels like it might kill me. It […]
Learn MoreDespite mimesis as a narrative necessity and primary constructive principle of cinema being virtually absent in the lexicon of Indian filmmakers, their films work for the intended audiences, finds MK Raghavendra in his latest visitation of Indian films in the seminal book, ‘Philosophical Issues in Indian Cinema: Appropriate Terms & Concepts’. The cinema of […]
Learn MoreGirish Kasaravallii I am not making a “perfect” film, I am making an “imperfect” film. To me, cinema is a powerful tool for challenging existing notions. -Girish Kasaravalli True to his stated philosophy and approach to cinema, noted Padmashri Awardee Kannada Cinema auteur Girish Kasaravalli has been chiseling his cinema spotlighting on prevalent socio-political concerns, […]
Learn MoreKamal Haasan “The fact that I’ve lived this long is not really an achievement, Time passes; we age… it’s natural. This is why it annoys me when a person watches a movie and tell me that it was ‘time pass’. Would time not have passed if he hadn’t watched the film?” -Kamal Haasan All […]
Learn More“I have never been to a cinema. But even to an outsider, the evil that it has done and is doing is patent. The good, if it has done any at all, remains to be proved.” “If I Was Made Prime Minister… I Would Close All the Cinemas and Theatres.” “If I had my way, […]
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