The 29th International Film Festival of Kerala (IFFK), held in December 2024, witnessed a record-breaking attendance of 13,000 delegates—arguably the highest for any film festival in India. The book by V. K. Cherian, “Noon Films & Magical Renaissance of Malayalam Cinema” published by Atlantic Publishers & Distributors in 2025, examines the renaissance of Malayalam cinema […]
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Taking Stock of Seven Decades of Fostering Film Culture: Musings on V. K. Cherian’s book “Celluloid to Digital — India’s Film Society Movement” India’s film society movement mirrors the nation’s own journey, as captured in V. K. Cherian’s comprehensive 2016 book, “India’s Film Society Movement: The Journey and its Impact.” A revised edition by Atlantic Publishers & […]
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When Adoor Gopalakrishnan, one of the internationally acclaimed Indian filmmakers, launched his first feature film Swayamvaram five decades ago, it was after many years of sustained effort. After passing out of FTII, Pune in 1965, he found it difficult to get a producer who would back him. Hence, he took the initiative of forming a […]
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Adoor Gopalakrishnan’s Anantaram (1987), his fifth film and its three preceding films have a common approach of a biography of an individual. They get deeper and deeper as we move from his second film onwards. While Kodiyettam (1978) follows the carefree Shankaran Kutty attaining maturity, in Elippathayam (1982), Unni is like a rat in a […]
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That reviewer Parthajit Baruah is well read, as professors of English (and cinema) should be, is clear from the number of references to literature as well as quotes from books that he uses in ‘Face to Face – The Cinema of Adoor Gopalakrishnan’ to illustrate his points. That he is completely cued in to the […]
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