Taking Stock of Seven Decades of Fostering Film Culture: Musings on V. K. Cherian’s book “Celluloid to Digital — India’s Film Society Movement” India’s film society movement mirrors the nation’s own journey, as captured in V. K. Cherian’s comprehensive 2016 book, “India’s Film Society Movement: The Journey and its Impact.” A revised edition by Atlantic Publishers & […]
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The Malayalam filmmaker Don Palathara’s first three films – Shavam: The Corpse (2015), Vith: Seed (2017) and 1956, Travancore (2019) – are marked by the Syrian Catholic setting and the style of slow cinema movement in which they’re shot. Shavam is about a sudden death of a young man in a family. Vith revolves around […]
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When Adoor Gopalakrishnan, one of the internationally acclaimed Indian filmmakers, launched his first feature film Swayamvaram five decades ago, it was after many years of sustained effort. After passing out of FTII, Pune in 1965, he found it difficult to get a producer who would back him. Hence, he took the initiative of forming a […]
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Adoor Gopalakrishnan’s Anantaram (1987), his fifth film and its three preceding films have a common approach of a biography of an individual. They get deeper and deeper as we move from his second film onwards. While Kodiyettam (1978) follows the carefree Shankaran Kutty attaining maturity, in Elippathayam (1982), Unni is like a rat in a […]
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Even before Satyajit Ray made history with his first film ‘Pather Panchali’ in 1955, he had written a script based on Rabindranath Tagore’s novel published in 1916, “Ghare Baire” (The Home and the World) [1], that was to have been directed by a friend Harisadhan Dasgupta according to the official website of Ray [2]. The […]
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