A case study of the Toulouse Indian Film Festival Cinema is an important medium, and is highly responsible worldwide in constructing otherness.[1] Film industries, since time immemorial, have been aware of this power that it holds, and several papers on this aspect using Hollywood as an example are available.[2] This present study is a result […]
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Our primary research on French spectators of Indian films was conducted nearly a decade ago: the ideal age for a first assessment. At present, although reception studies have begun taking hold in France, there are very few publications for the subject. Firstly, working on the audience-level reception is still not fashionable, and secondly, it is […]
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Cinema screening was revived last week in Anantnag when a local theatre [highlight background=”#f79126″ color=”#ffffff”]Heewan[/highlight]—they actually mean ‘Heavan’—welcomed a big batch of CRPF personnel as its first audience in more than three decades, to watch a screening of a Hindi film brought in from Jallundhar. Until about one year ago, the same movie hall was […]
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