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Author: Utpal Datta

Interview — Supratim Bhol | cinematographer

March 31, 2021April 7, 2021By Utpal Datta 0 Comments

Utpal Datta converses with Supratim Bhol, the cinematographer of Avijatrik, lit., the wanderlust of Apu, purportedly the concluding part of Satyajit Ray’s Apu trilogy based on the remaining portions of the novel Aparajito by Bibhutibhushan Bandyopadhyay.   A film is a sort of a dream, a combination of imaginary images in the mind of the […]

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A 40-year-old Love Story

July 9, 2020February 1, 2022By Utpal Datta 0 Comments

Hindi Film world is a huge store house of love stories i.e films. But only a few films, especially love stories, had made lasting impression upon the viewers and one fine day they receive the title of cult film. Love Story, released on February 26, 1981, is a movie without a director’s name. Hindi films […]

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Directors’ Diaries: The Road to Their First Film

January 26, 2020March 29, 2020By Utpal Datta 0 Comments

Book review – Directors’ Diaries: The Road to Their First Film The principle attraction of an interview lives in the questions thrown by the interviewer. Questions are framed to dig out unknown facts from the inner core of the interviewee. Additionally, they mirror the study, preparation, insight, mental makeup and so much more of the […]

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The Journey of Assamese Cinema through the Ages

September 30, 2019October 1, 2019By Utpal Datta 0 Comments

Walking down the roads of Calcutta very many years ago, a college youth remarked to his friend, “If I can make an Assamese cinema I would attain salvation.” Thus began the history of Assamese cinema. The incident happened at the beginning of the second decade of the last century. The author of these words, and […]

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Publisher

Film Critics Circle of India

Memorandum of Association signed on December 25, 2012.

Registered on February 07, 2013, under the Travancore-Cochin Literary, Scientific and Charitable Societies Registration Act, 1955.

Reg: EKM/TC/106/2013

1/1439, Next to Karthik Temple, Cochin – 682 001

Editorial Board

Amit Khanna
amit@amitkhanna.in


Rashmi Doraiswamy
rdoraiswamy@jmi.ac.in


Saibal Chatterjee
saibal@filmcriticscircle.com


Rafique Baghdadi
rafique@filmcriticscircle.com


Ashameera Aiyappan
asha@ashameeraaiyappan.com

Authors

  1. Aditya Modak
  2. Amartya Acharya
  3. Amborish
  4. Amitava Nag
  5. Amit Khanna
  6. Ananya Nandan
  7. Anirban Lahiri
  8. Aparajita Sinha
  9. Arnab K Middya
  10. Babu Subramanian
  11. Daniela Rogobete
  12. Darshana Goswami
  13. Dnyanesh Moghe
  14. Divya Mehta
  15. Devdutt Trivedi
  16. Dipsikha Bhagawati
  17. Gautam Kaul
  18. Joy Bimal Roy
  19. Manoj Barpujari
  20. MK Raghavendra
  21. Monita Borgohain
  22. Mukhta Chand
  23. Oorvazi Irani
  24. Parthajit Baruah
  25. Premchand
  26. Priyanka Purthy
  27. Ratnottama Sengupta
  28. RK Bidur Singh
  29. Sathya Saran
  30. Saurabh Turakhia
  31. Sayantan Dutta
  32. S Viswanath
  33. Utpal Datta
  34. Vanessa Lien Bianci

Book Chapters

Preface — Words. Sounds. Images: A History of Media and Entertainment in India by Amit Khanna


Understanding a twin subgenre: new- and mixed-gen cinema of Malayalam by Christopher Dalton

Editor

Christopher Dalton
dalton@filmcriticscircle.com
+91-807 577 6287

Comments

  • Babu Subramanian on Whitewashing a leopard: Don Palathara’s Family (2023)
  • Jayasurya Somanchi (S.J.Surya) on Whitewashing a leopard: Don Palathara’s Family (2023)
  • Gopinathan Padmanabhan on Polyphony in Time: Narrational Strategy in Adoor Gopalakrishnan’s ‘Anantaram’ (1987) and the Film’s Multiple Interpretations

Tags

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