Among the various characteristics of Hindi popular cinema noted by film scholars and theorists, one that is of importance is that it is indifferent to the attractions of suspense and surprise and that it favours the familiar rather than novelty. How things will happen is more important than what will happen (1), which will be […]
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Stories narrated in a dramatic manner attract and engage the masses, especially those from the lower strata whose daily lives are filled with struggle. ‘Masala,’ ‘escapist fare’ offers them nostalgia, inspiration, strength and hope. For, the cinema crafted for them is kinder than their unchanging reality. This causal relationship between income class and preference for […]
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The selfie has become an integral part of living today but it can be regarded as a development of the amateur family photograph brought up to date by new technology. Still, alongside technological advances are social changes and a selfie means something quite different from what family pictures once meant. Technological advances replace and/or supplement […]
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Cinema screening was revived last week in Anantnag when a local theatre [highlight background=”#f79126″ color=”#ffffff”]Heewan[/highlight]—they actually mean ‘Heavan’—welcomed a big batch of CRPF personnel as its first audience in more than three decades, to watch a screening of a Hindi film brought in from Jallundhar. Until about one year ago, the same movie hall was […]
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