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Christopher Dalton
dalton@filmcriticscircle.com
+91-807 577 6287

Vol. 1. Iss. 19 | Jan–Feb 2022

Mahishasur MarddiniMarch 23, 2022
Indian Cinema & its philosophical idée fixeFebruary 26, 2022
Deepa Mehta’s FireFebruary 26, 2022
Understanding a twin subgenre: new- and mixed-gen cinema of MalayalamFebruary 10, 2022
Preface — Words. Sounds. Images: A History of Media and Entertainment in IndiaFebruary 10, 2022

Comments

Gopinathan Padmanabhan on Polyphony in Time: Narrational Strategy in Adoor Gopalakrishnan’s ‘Anantaram’ (1987) and the Film’s Multiple Interpretations
Babu Subramanian on Polyphony in Time: Narrational Strategy in Adoor Gopalakrishnan’s ‘Anantaram’ (1987) and the Film’s Multiple Interpretations
Dr viswanath DS on Polyphony in Time: Narrational Strategy in Adoor Gopalakrishnan’s ‘Anantaram’ (1987) and the Film’s Multiple Interpretations

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