Of all the genres of mass culture, cinema is arguably the most popular and universal, yet it is also the most intricate. Cinema is rigorous multi tasking and meticulous teamwork. It is the ultimate example of intermedia art that brings together an assortment of technological expertise and artistic insight. In cinema we see people like […]
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‘I would never say such an unfeeling, rude thing such as that all actors are cattle. What I probably said was that all actors should be treated like cattle.’ actor -Alfred Hitchcock, on the Dick Cavett show ‘Most enjoyable screen performances have been produced by nothing more than a typage, and it is commonplace […]
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Rishi Kapoor — Tujh mein kya hai deewane A Bengali film buff growing up in 1980s small town India was overwhelmed with a plethora of influences. On the one hand there was the Shyam Benegal and Govind Nihalani universe. Sunday afternoons were about “regional cinema”, where one was gradually getting exposed to names like Adoor […]
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The primary proposition of Avijit Mukul Kishore and Rohan Shivkumar’s Nostalgia for the Future is dwelling (in the Heideggerean sense) as denotation. Contrarily the voice, Kishore’s voice, is the embodiment of this denotation. Over the course of the film this denotation becomes a volume, concentrated or rarefied, which creates a mechanism (instead of an ideology) […]
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