Art cinema in India began as a movement partly in order to intervene in social injustices by propagating the right attitudes among the public, although popular cinema had also done it much earlier. Dalits and caste discrimination have frequently been the subjects in Indian cinema from Achhut Kanya (1936) to Sairat (2016) and the general […]
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Our primary research on French spectators of Indian films was conducted nearly a decade ago: the ideal age for a first assessment. At present, although reception studies have begun taking hold in France, there are very few publications for the subject. Firstly, working on the audience-level reception is still not fashionable, and secondly, it is […]
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Tumbbad is certainly an unusual film, an atmospheric fantasy thriller that makes one sit up and take notice although most of its success is in its art department. It has been described as ‘horror’ but is perhaps closer to a fairy tale for adults, revolving around invented myths. There have been other films from the […]
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