{"id":3607,"date":"2021-11-15T10:00:38","date_gmt":"2021-11-15T04:30:38","guid":{"rendered":"https:\/\/filmcriticscircle.com\/journal\/?page_id=3607"},"modified":"2022-02-02T04:38:02","modified_gmt":"2022-02-01T23:08:02","slug":"vol-1-iss-18","status":"publish","type":"page","link":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/","title":{"rendered":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18."},"content":{"rendered":"[vc_row][vc_column]
\r\n\t\t

Journal of Indian Cinema<\/h2>\r\n\t\t

Vol. 1. Iss. 18 | November \u2013 December 2021<\/p>\r\n\t\tFilm Critics Circle of India<\/a>\r\n\t<\/div>\r\n\t[vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css_animation=”bounceIn”]\n

\n[spacer size=”20″]\n

Geeta Dutt \u2014 the muse of unstrained melodies<\/a><\/h2>\n

Darshana Goswami<\/a> | Nov 23<\/p>\n

\"\"In Geeta Dutt\u2019s warbling voice, subdued smile and shy glances we find the nymph and the muse being fused together and nothing comes as close to her life and art as does \u00a0the immortal bird of Keats\u2019 famous ode.\u00a0\u00a0<\/span>Hers is a tale of extreme experiences that life can offer to an individual. While destiny endowed her with the rarest ability to conjure up a gush of fresh air and a soothing shower to a parched land and a thirsty clime, the same destiny took away all her powers and left her feeble and lonely, as if administered by some unalterable nemesis.<\/p>\n

read HOMAGE<\/a><\/p>\n<\/div>\n[\/vc_column_text][vc_column_text css_animation=”bounceIn”][spacer size=”20″]\n

Vivien Leigh \u2014 the scorn that won the world<\/a><\/h2>\n

Darshana Goswami<\/a> | Nov 05<\/p>\n

Besides being the paragon of ethereal charm, Vivien Leigh is also the perennial split self\u2014a place where the angel and the femme fatale<\/em> reside side by side.<\/p>\n

read HOMAGE<\/a><\/p>\n[divider size=”1″][\/vc_column_text][vc_column_text css_animation=”bounceIn”]\n

\n[spacer size=”20″]\n

Ritwik Ghatak and the lost art of self destruction<\/a><\/h2>\n

Amborish Roychoudhury<\/a> | Nov 04<\/p>\n

\"\"Ghatak hated \u2018success\u2019 with a vengeance… Every serious film director worth their salt has waxed eloquent on how Art is about not giving in to the system, about avoiding compromise at all costs. But Ritwik is probably the only filmmaker who took it all the way.<\/p>\n

read HOMAGE<\/a><\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css_animation=”bounceInLeft”][spacer size=”45″]\n

‘Kamal’ who scaled the ‘Haasan’ of cinematic perfection<\/a><\/h2>\n

S Viswanath<\/a> | Nov 07<\/p>\n

\"\"Often frowned upon for his over self-indulgence with aesthetics of film making and acting, and an unabashed pursuer of commercial dynamics, despite clinging on to his ideal idea of cinema, Kamal Haasan has never been wanting when it came to meld commerce with craft for the greater good of cinema.<\/p>\n

read FEATURE<\/a><\/p>\n[divider size=”1″][\/vc_column_text][vc_column_text css_animation=”bounceInLeft”][spacer size=”25″]\n

Girish Kasaravalli \u2014 a kaleidoscope of societal foibles<\/a><\/h2>\n

S Viswanath<\/a> | Dec 03<\/p>\n

The cinema of Girish Kasaravalli holds up a reflective mirror to that which afflicts the people due to traditional dogmas. Benign, humanistic, subtle and provocatively persuasive, Girish Kasaravalli\u2019s films engage his audiences in a dialectical dialogue, cajoling them to see reason, and to reform for the greater good of themselves as individuals as well as for society at large.<\/p>\n

read FEATURE<\/a><\/p>\n[divider size=”1″][\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css_animation=”bounceIn”] [spacer size=”20″] Geeta Dutt \u2014 the muse of unstrained melodies Darshana Goswami | Nov 23 In Geeta Dutt\u2019s warbling voice, subdued smile and shy glances we find the nymph and the muse being fused together and nothing comes as close to her life and art as does \u00a0the immortal bird of Keats\u2019 […]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3607","page","type-page","status-publish","hentry"],"yoast_head":"\nJournal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India<\/title>\n<meta name=\"description\" content=\"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India\" \/>\n<meta property=\"og:description\" content=\"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/\" \/>\n<meta property=\"og:site_name\" content=\"Journal of Indian Cinema\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/groups\/FilmCriticsCircleofIndia\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-01T23:08:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India\" \/>\n<meta name=\"twitter:description\" content=\"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/\",\"url\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/\",\"name\":\"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2020\\\/03\\\/Darshana_Goswami.png\",\"datePublished\":\"2021-11-15T04:30:38+00:00\",\"dateModified\":\"2022-02-01T23:08:02+00:00\",\"description\":\"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/#primaryimage\",\"url\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2020\\\/03\\\/Darshana_Goswami.png\",\"contentUrl\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2020\\\/03\\\/Darshana_Goswami.png\",\"width\":84,\"height\":85},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/vol-1-iss-18\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/#website\",\"url\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/\",\"name\":\"Journal of Indian Cinema\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/#organization\",\"name\":\"Journal of Indian Cinema\",\"url\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"http:\\\/\\\/filmcriticscircle.com\\\/journal\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2023\\\/10\\\/Logo-FCCI-for-slider.jpg\",\"contentUrl\":\"http:\\\/\\\/filmcriticscircle.com\\\/journal\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2023\\\/10\\\/Logo-FCCI-for-slider.jpg\",\"width\":900,\"height\":390,\"caption\":\"Journal of Indian Cinema\"},\"image\":{\"@id\":\"https:\\\/\\\/filmcriticscircle.com\\\/journal\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/groups\\\/FilmCriticsCircleofIndia\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India","description":"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/","og_locale":"en_GB","og_type":"article","og_title":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India","og_description":"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema","og_url":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/","og_site_name":"Journal of Indian Cinema","article_publisher":"https:\/\/www.facebook.com\/groups\/FilmCriticsCircleofIndia\/","article_modified_time":"2022-02-01T23:08:02+00:00","og_image":[{"url":"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_title":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India","twitter_description":"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema","twitter_misc":{"Estimated reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/","url":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/","name":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18 | Film Critics Circle of India","isPartOf":{"@id":"https:\/\/filmcriticscircle.com\/journal\/#website"},"primaryImageOfPage":{"@id":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/#primaryimage"},"image":{"@id":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/#primaryimage"},"thumbnailUrl":"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png","datePublished":"2021-11-15T04:30:38+00:00","dateModified":"2022-02-01T23:08:02+00:00","description":"Nov-Dec 2021 issue of the Film Critics Circle of India journal of Indian cinema","breadcrumb":{"@id":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/#primaryimage","url":"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png","contentUrl":"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png","width":84,"height":85},{"@type":"BreadcrumbList","@id":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-18\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/filmcriticscircle.com\/journal\/"},{"@type":"ListItem","position":2,"name":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 18."}]},{"@type":"WebSite","@id":"https:\/\/filmcriticscircle.com\/journal\/#website","url":"https:\/\/filmcriticscircle.com\/journal\/","name":"Journal of Indian Cinema","description":"","publisher":{"@id":"https:\/\/filmcriticscircle.com\/journal\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/filmcriticscircle.com\/journal\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/filmcriticscircle.com\/journal\/#organization","name":"Journal of Indian Cinema","url":"https:\/\/filmcriticscircle.com\/journal\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/filmcriticscircle.com\/journal\/#\/schema\/logo\/image\/","url":"http:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2023\/10\/Logo-FCCI-for-slider.jpg","contentUrl":"http:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2023\/10\/Logo-FCCI-for-slider.jpg","width":900,"height":390,"caption":"Journal of Indian Cinema"},"image":{"@id":"https:\/\/filmcriticscircle.com\/journal\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/groups\/FilmCriticsCircleofIndia\/"]}]}},"_links":{"self":[{"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/pages\/3607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/comments?post=3607"}],"version-history":[{"count":30,"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/pages\/3607\/revisions"}],"predecessor-version":[{"id":5746,"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/pages\/3607\/revisions\/5746"}],"wp:attachment":[{"href":"https:\/\/filmcriticscircle.com\/journal\/wp-json\/wp\/v2\/media?parent=3607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}