{"id":3293,"date":"2021-07-15T10:00:12","date_gmt":"2021-07-15T04:30:12","guid":{"rendered":"https:\/\/filmcriticscircle.com\/journal\/?page_id=3293"},"modified":"2022-02-02T04:36:05","modified_gmt":"2022-02-01T23:06:05","slug":"vol-1-iss-16","status":"publish","type":"page","link":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-16\/","title":{"rendered":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 16."},"content":{"rendered":"[vc_row][vc_column]
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Journal of Indian Cinema<\/h2>\r\n\t\t

Vol. 1. Iss. 16 | July \u2013 August 2021<\/p>\r\n\t\tFilm Critics Circle of India<\/a>\r\n\t<\/div>\r\n\t[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css_animation=”bounceIn”]\n

\n

Shoma Chatterji<\/a><\/h2>\n

Oorvazi Irani<\/a> | July 11<\/p>\n

\"\"During the time of Meena Kumari, Madhubala and their peers, the camera focussed more on the face of the leading lady than on the body. This changed radically from the 1990s when the body of the heroine became as or more important than the face. The\u00a0sati-savitri<\/em>\u00a0image underwent a radical make-over probably with Nutan, who, without showing skin, made a powerful presentation in strong roles such as\u00a0Seema<\/em>\u00a0and\u00a0Bandini<\/em>. Geeta Bali promoted the image of a mischievous tomboy, also a positive deviation from the\u00a0sati-savitri<\/em>\u00a0image.<\/p>\n

read INTERVIEW<\/a><\/p>\n<\/div>\n[\/vc_column_text][vc_column_text css_animation=”bounceIn”]\n

\n[spacer size=”25″]\n

Bimal Roy \u2014 a daughter remembers<\/a><\/h2>\n

Aparajita Sinha<\/a> | July 12<\/p>\n

\"\"Quite a few children made their debut in my father\u2019s films<\/span>\u2026 Dilip Kumar said that he learnt to act from working with my father and that it was the only \u201cschool\u201d that he knew\u2026\u00a0Shyam Benegal once said that he had noticed that the camera in my father\u2019s films was very carefully placed so as to always be on the same level as the actor. It was never used to strip a character of their essential humanity. No clever top shots to make characters look like ants struggling against a hostile environment\u2026\u00a0\u201cDo you know wherein lies Bimal da\u2019s greatness?\u201d Jagdeep said to us. \u201cHe loved the common people. It was for them that he made his films.\u201d\u00a0<\/span><\/p>\n

read HOMAGE<\/a><\/p>\n[divider size=”1″][\/vc_column_text][vc_column_text css_animation=”bounceInLeft”][spacer size=”20″]\n

 <\/p><\/div>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css_animation=”bounceInLeft”][spacer size=”20″]\n

Naseeruddin Shah \u2014 the angel of chaos<\/a><\/h2>\n

Amborish Roychoudhury<\/a> | July 20<\/p>\n

\"\"A shy boy who found it incredibly difficult to talk to people, went up on stage with dozens of heads staring at him, judging him. But there were bright lights on him and he couldn\u2019t see anything. Till he could only see the abyss. He stared at the black void in front of him and started speaking. That one night was to transform that boy completely.<\/p>\n

read HOMAGE<\/a><\/p>\n[divider size=”1″][\/vc_column_text][vc_column_text css_animation=”bounceInLeft”][spacer size=”20″]\n

Shajith Koyeri \u2014 sound designer<\/a><\/h2>\n

Joy Bimal Roy<\/a> | July 23<\/p>\n

\"\"I personally witnessed the magic of those bent fingers when we sat together for the sound design of my film\u2026 Shajith\u2019s story is inspirational particularly for handicapped people. His life proves that one\u2019s strength of mind and determination can make the impossible possible.<\/p>\n

read FEATURE<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css_animation=”bounceIn”] Shoma Chatterji Oorvazi Irani | July 11 During the time of Meena Kumari, Madhubala and their peers, the camera focussed more on the face of the leading lady than on the body. This changed radically from the 1990s when the body of the heroine became as or more important than the face. […]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3293","page","type-page","status-publish","hentry"],"yoast_head":"\nJournal of Indian Cinema \u2014 Vol. 1. 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