{"id":2755,"date":"2020-11-15T10:00:05","date_gmt":"2020-11-15T04:30:05","guid":{"rendered":"https:\/\/filmcriticscircle.com\/journal\/?page_id=2755"},"modified":"2022-02-02T04:31:56","modified_gmt":"2022-02-01T23:01:56","slug":"vol-1-iss-12","status":"publish","type":"page","link":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-12\/","title":{"rendered":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 12."},"content":{"rendered":"[vc_row][vc_column]
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Journal of Indian Cinema<\/h2>\r\n\t\t

Vol. 1. Iss. 12 | November \u2013 December 2020<\/p>\r\n\t\tFilm Critics Circle of India<\/a>\r\n\t<\/div>\r\n\t[vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css_animation=”bounceIn”]\n

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Mani Kaul \u2014 prophet of pure cinema<\/a><\/h2>\n

Gautam Kaul<\/a> | Dec 25<\/p>\n

\"\"Primarily, we must fault ourselves to identify our best artists, because the audiences are overfed with the dazzle of colour, fast action, songs and dances and the whole artificial environment painted on the cinema screen that we totally miss the grinding reality of our ordinary lives. It is left to artists like Mani Kaul to point their camera lens to this reality that we shun because it is so real.<\/p>\n

read HOMAGE<\/a><\/p>\n<\/div>\n[\/vc_column_text][vc_column_text css_animation=”bounceIn”]\n

Corona chokes Kannada cinema’s cheerful climb<\/a><\/h2>\n

S Viswanath<\/a> | Nov 30<\/p>\n

OTT platforms have in hind\"\"sight ensured a new visual literacy to the audiences and it would be up to filmmakers from now on to match this new sensitivity and approach to cinema when they take to making films in future.\u00a0<\/span><\/p>\n

read FEATURE<\/a><\/p>\n[\/vc_column_text][vc_column_text css_animation=”bounceIn”][spacer size=”20″]\n

Entertainment industry eyes a a phoenix, post pandemic<\/a><\/h2>\n

S Viswanath<\/a> | Dec 31<\/p>\n

A quiet cinematic revolution is in the offing as a sense of sanguinity sets in\u2026 a Phoenix act could be witnessed as the pashas<\/em> of entertaining and engaging cinemas play the roulette of survival to create an annus mirabilis.<\/p>\n

read FEATURE<\/a><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css_animation=”bounceInLeft”]\n

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Sharmila Tagore \u2014 a journey trapped between promises and possibilities<\/a><\/h2>\n

Darshana Goswami<\/a> | Dec 08<\/p>\n

\"\"In her heydays, Sharmila Tagore was a path breaker, a sensation maker and a constant stirrer of surprises…\u00a0Had her brimming virtuosity been fully exploited, Bombay cinema of the sixties and seventies would have chronicled drastically different stories that would have been more enduring in art and appeal. For cinema in the sixties not only meant color images and exotic locations but also a confluence of many new waves and an emergence of a global culture with long lasting effects.<\/p>\n

read FEATURE<\/a><\/p>\n<\/div>\n[\/vc_column_text][vc_column_text css_animation=”bounceInLeft”][spacer size=”20″]\n

Shyam Benegal \u2014 the affable auteur<\/a><\/h2>\n

Darshana Goswami<\/a> | Dec 14<\/p>\n

An \u2018author\u2019 without being authoritarian, Benegal starkly contradicts the commonly perceived image of directors; that they are inseparable from their inherent authorship even while they are not all the time conscious of it.<\/p>\n

read FEATURE<\/a><\/p>\n[divider size=”1″][\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css_animation=”bounceIn”] [spacer size=”30″] Mani Kaul \u2014 prophet of pure cinema Gautam Kaul | Dec 25 Primarily, we must fault ourselves to identify our best artists, because the audiences are overfed with the dazzle of colour, fast action, songs and dances and the whole artificial environment painted on the cinema screen that we totally […]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2755","page","type-page","status-publish","hentry"],"yoast_head":"\nJournal of Indian Cinema \u2014 Vol. 1. 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