{"id":2525,"date":"2020-09-15T10:00:52","date_gmt":"2020-09-15T04:30:52","guid":{"rendered":"https:\/\/filmcriticscircle.com\/journal\/?page_id=2525"},"modified":"2022-02-02T04:47:08","modified_gmt":"2022-02-01T23:17:08","slug":"vol-1-iss-11","status":"publish","type":"page","link":"https:\/\/filmcriticscircle.com\/journal\/vol-1-iss-11\/","title":{"rendered":"Journal of Indian Cinema \u2014 Vol. 1. Iss. 11."},"content":{"rendered":"[vc_row][vc_column]<div class=\"text-bar\" data-animated=\"rotateInUpLeft\" data-delay=\"500\">\r\n\t\t<h2>Journal of Indian Cinema<\/h2>\r\n\t\t<p>Vol. 1. Iss. 11 | September \u2013 October 2020<\/p>\r\n\t\t<a href=\"https:\/\/www.facebook.com\/groups\/FilmCriticsCircleofIndia\/\" class=\"button color alignright\">Film Critics Circle of India<\/a>\r\n\t<\/div>\r\n\t<!--\/ .text-bar -->[vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css_animation=&#8221;bounceIn&#8221;]\n<div class=\"info-box\">\n<h2><a href=\"https:\/\/filmcriticscircle.com\/journal\/dev-anand-yesterday-was-another-day\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dev Anand \u2014 yesterday was another day<\/a><\/h2>\n<p><a href=\"https:\/\/filmcriticscircle.com\/journal\/author\/amit_khanna\/\" target=\"_blank\" rel=\"noopener\">Amit Khanna<\/a> | Sep 26<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1552 size-full\" src=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/04\/Amit_Khanna_t.jpg\" alt=\"\" width=\"72\" height=\"72\" srcset=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/04\/Amit_Khanna_t.jpg 72w, https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/04\/Amit_Khanna_t-60x60.jpg 60w\" sizes=\"auto, (max-width: 72px) 100vw, 72px\" \/>Dev Anand was Dorian Gray, Peter Pan and matinee idol all rolled into one. There may only be a handful of actors or filmmakers anywhere in the world whose career spanned 7 decades. Dev Saab, as he is still remembered, was one of the most pos\u00aditive persons I have ever met\u2026 He\u00a0was also that rare star in India who replied to letters and answered phone calls.<\/p>\n<p style=\"text-align: right;\"><a class=\"button big orange\" href=\"https:\/\/filmcriticscircle.com\/journal\/dev-anand-yesterday-was-another-day\/\" target=\"_blank\" rel=\"noopener noreferrer\">read HOMAGE<\/a><\/p>\n<\/div>\n[\/vc_column_text][vc_column_text css_animation=&#8221;bounceIn&#8221;]\n<div class=\"info-box\">\n<h2><a href=\"https:\/\/filmcriticscircle.com\/journal\/aparna-sen\/\" target=\"_blank\" rel=\"noopener noreferrer\">Aparna Sen \u2014 a river plunging into its own depths<\/a><\/h2>\n<p><a href=\"https:\/\/filmcriticscircle.com\/journal\/author\/darshanagoswami\/\" target=\"_blank\" rel=\"noopener\">Darshana Goswami<\/a> | Oct 25<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3016\" src=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png\" alt=\"\" width=\"72\" height=\"73\" srcset=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami.png 84w, https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2020\/03\/Darshana_Goswami-60x60.png 60w\" sizes=\"auto, (max-width: 72px) 100vw, 72px\" \/>In her multiplicity of roles as the scriptwriter, director and actor, Aparna Sen apparently resembles Prospero, the Duke of Milan, the magician, the creator and controller of events and at the same time, very much a part of those events. But, in essence, she is more akin to Ariel, the spirit of the air.<\/p>\n<p style=\"text-align: right;\"><a class=\"button big orange\" href=\"https:\/\/filmcriticscircle.com\/journal\/aparna-sen\/\" target=\"_blank\" rel=\"noopener noreferrer\">read FEATURE<\/a><\/p>\n<\/div>\n[\/vc_column_text][vc_column_text css_animation=&#8221;bounceIn&#8221;]\n<div class=\"info-box\">\n<h2><a href=\"https:\/\/filmcriticscircle.com\/journal\/muzaffar-ali-opulent-decadence\/\" target=\"_blank\" rel=\"noopener noreferrer\">Muzaffar Ali \u2014 opulent decadence<\/a><\/h2>\n<p><a href=\"https:\/\/filmcriticscircle.com\/journal\/author\/amborish\/\" target=\"_blank\" rel=\"noopener\">Amborish Roychoudhury<\/a> | Oct 21<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2495 size-full\" src=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/09\/Amborish-Roychoudhury-tn.jpg\" alt=\"\" width=\"72\" height=\"72\" srcset=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/09\/Amborish-Roychoudhury-tn.jpg 72w, https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/09\/Amborish-Roychoudhury-tn-60x60.jpg 60w\" sizes=\"auto, (max-width: 72px) 100vw, 72px\" \/>One film that weaves Muzaffar Ali\u2019 two\u00a0obsessions \u2014 poetry and the Awadhi culture \u2014 into an elegant bundle of storytelling is <em>Umrao Jaan<\/em>, his magnum opus.<\/p>\n<p style=\"text-align: right;\"><a class=\"button big orange\" href=\"https:\/\/filmcriticscircle.com\/journal\/muzaffar-ali-opulent-decadence\/\" target=\"_blank\" rel=\"noopener noreferrer\">read HOMAGE<\/a><\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text css_animation=&#8221;bounceInLeft&#8221;]\n<h2><a href=\"https:\/\/filmcriticscircle.com\/journal\/mysskin-missing-the-forest-for-the-trees\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mysskin \u2014 missing the forest for the trees<\/a><\/h2>\n<p><a href=\"https:\/\/filmcriticscircle.com\/journal\/author\/viswanath\/\" target=\"_blank\" rel=\"noopener\">S Viswanath<\/a> | Sep 20<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2577 size-full\" src=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/11\/S_Viswanath_tn.jpg\" alt=\"\" width=\"72\" height=\"72\" srcset=\"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/11\/S_Viswanath_tn.jpg 72w, https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/11\/S_Viswanath_tn-60x60.jpg 60w\" sizes=\"auto, (max-width: 72px) 100vw, 72px\" \/>While <span class=\"su-highlight\">\u00a0films of the genre of Mysskin\u2019s may make handsome material for contemporary critical discourses on flawed individuals and society at large, raising false hopes of acceptance of judiciously unpardonable crimes committed by the protagonist who in real life has to pay the price for such heinous acts, in reality they cannot be so easily dismissed and one needs to take a very strong stand against such films, the nature of their on-screen violence, and the absurd play of narratives that they bring into their equally trite and mundane tales.<\/span><\/p>\n<p style=\"text-align: right;\"><a class=\"button big orange\" href=\"https:\/\/filmcriticscircle.com\/journal\/mysskin-missing-the-forest-for-the-trees\/\" target=\"_blank\" rel=\"noopener noreferrer\">read FEATURE<\/a><\/p>\n[\/vc_column_text][vc_column_text css_animation=&#8221;bounceInLeft&#8221;]\n<h2><a href=\"https:\/\/filmcriticscircle.com\/journal\/spb-tenor-nonpareil\/\" target=\"_blank\" rel=\"noopener noreferrer\">SPB \u2014 tenor nonpareil<\/a><\/h2>\n<p><a href=\"https:\/\/filmcriticscircle.com\/journal\/author\/viswanath\/\" target=\"_blank\" rel=\"noopener\">S Viswanath<\/a> | Oct 26<\/p>\n<p style=\"text-align: left;\">Here once was a colossus cultural phenomenon nonpareil \u2014\u00a0SPB \u2014 a peerless performer par excellence whose magical, mellow voice saw legions of listeners drawn like bees to a honeycomb, as if a Pied Piper has cast a spell upon them to transport them to an Elysian world&#8230;<\/p>\n<p>\u2026 Like many of the other greats before him whose works still resonate and reside with us, quite many of the innumerable songs of this gentle genius genie have become a part of our collective conscience and shall for a very long time becalm and be a balm to soothe the void.<\/p>\n<p style=\"text-align: right;\"><a class=\"button big orange\" href=\"https:\/\/filmcriticscircle.com\/journal\/spb-tenor-nonpareil\/\" target=\"_blank\" rel=\"noopener noreferrer\">read FEATURE<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css_animation=&#8221;bounceIn&#8221;] Dev Anand \u2014 yesterday was another day Amit Khanna | Sep 26 Dev Anand was Dorian Gray, Peter Pan and matinee idol all rolled into one. There may only be a handful of actors or filmmakers anywhere in the world whose career spanned 7 decades. Dev Saab, as he is still remembered, [&hellip;]<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2525","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Journal of Indian Cinema \u2014 Vol. 1. 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