{"version":"1.0","provider_name":"Journal of Indian Cinema","provider_url":"https:\/\/filmcriticscircle.com\/journal","title":"Patriotism in the cinema of Hindi | Journal of Indian Cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hHG0ZPEEtD\"><a href=\"https:\/\/filmcriticscircle.com\/journal\/features\/patriotism-in-the-cinema-of-hindi\/\">Patriotism in the cinema of Hindi<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmcriticscircle.com\/journal\/features\/patriotism-in-the-cinema-of-hindi\/embed\/#?secret=hHG0ZPEEtD\" width=\"600\" height=\"338\" title=\"&#8220;Patriotism in the cinema of Hindi&#8221; &#8212; Journal of Indian Cinema\" data-secret=\"hHG0ZPEEtD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmcriticscircle.com\/journal\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmcriticscircle.com\/journal\/wp-content\/uploads\/sites\/3\/2019\/08\/Rang-De-Basanti.jpg","thumbnail_width":896,"thumbnail_height":504,"description":"Being an effective mass medium, cinema h\u00ad\u00adas for long been manipulated for the celebration of national pride and for the recognition of they who demonstrate the highest form of sacrifice and valour."}