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Category: Paper

The Politics of the Selfie

March 15, 2019July 27, 2019By A Film Reviews, Photography 0 Comments

The selfie has become an integral part of living today but it can be regarded as a development of the amateur family photograph brought up to date by new technology. Still, alongside technological advances are social changes and a selfie means something quite different from what family pictures once meant. Technological advances replace and/or supplement […]

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Publisher

Film Critics Circle of India

Memorandum of Association signed on December 25, 2012.

Registered on February 07, 2013, under the Travancore-Cochin Literary, Scientific and Charitable Societies Registration Act, 1955.

Reg: EKM/TC/106/2013

1/1439, Next to Karthik Temple, Cochin – 682 001

Editorial Board

Amit Khanna
amit@amitkhanna.in


Rashmi Doraiswamy
rdoraiswamy@jmi.ac.in


Saibal Chatterjee
saibal@filmcriticscircle.com


Rafique Baghdadi
rafique@filmcriticscircle.com


Ashameera Aiyappan
asha@ashameeraaiyappan.com

Authors

  1. Aditya Modak
  2. Amartya Acharya
  3. Amborish
  4. Amitava Nag
  5. Amit Khanna
  6. Ananya Nandan
  7. Anirban Lahiri
  8. Aparajita Sinha
  9. Arnab K Middya
  10. Babu Subramanian
  11. Daniela Rogobete
  12. Darshana Goswami
  13. Dnyanesh Moghe
  14. Divya Mehta
  15. Devdutt Trivedi
  16. Dipsikha Bhagawati
  17. Gautam Kaul
  18. Joy Bimal Roy
  19. Manoj Barpujari
  20. MK Raghavendra
  21. Monita Borgohain
  22. Mukhta Chand
  23. Oorvazi Irani
  24. Parthajit Baruah
  25. Premchand
  26. Priyanka Purthy
  27. Ratnottama Sengupta
  28. RK Bidur Singh
  29. Sathya Saran
  30. Saurabh Turakhia
  31. Sayantan Dutta
  32. S Viswanath
  33. Utpal Datta
  34. Vanessa Lien Bianci

Book Chapters

Preface — Words. Sounds. Images: A History of Media and Entertainment in India by Amit Khanna


Understanding a twin subgenre: new- and mixed-gen cinema of Malayalam by Christopher Dalton

Editor

Christopher Dalton
dalton@filmcriticscircle.com
+91-807 577 6287

Comments

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  • Jayasurya Somanchi (S.J.Surya) on Whitewashing a leopard: Don Palathara’s Family (2023)
  • Gopinathan Padmanabhan on Polyphony in Time: Narrational Strategy in Adoor Gopalakrishnan’s ‘Anantaram’ (1987) and the Film’s Multiple Interpretations

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