Shabana Azmi Age cannot wither her, nor custom stale her infinite variety These lines from Antony and Cleopatra, originally woven by the Bard of Avon to sing a paean to the Egyptian queen, seem apt for Shabana Azmi. There is an unwritten norm that most celebrities much before they approach seventy opt for retirement […]
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Which author holds the distinction of being the most adapted writer in the cinema of India? Shakespeare? Tagore? Premchand? Or, perhaps, Dharmvir Bharati? We Indians have never demonstrated excessive love for adaptations. Thus, if one were to list the most iconic litterateurs of the subcontinent, it would be noticed that quite a few of them, […]
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Even before Satyajit Ray made history with his first film ‘Pather Panchali’ in 1955, he had written a script based on Rabindranath Tagore’s novel published in 1916, “Ghare Baire” (The Home and the World) [1], that was to have been directed by a friend Harisadhan Dasgupta according to the official website of Ray [2]. The […]
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“Idhu namma kaalam. Ezhundhu vaa!” (lit. “This is our time. Arise & Arrive”) Dialogue from Pa. Ranjith’s Sarpatta Parambarai, which revolves around boxing, a bloody, violent sport and identity of clan prestige. Mahatma Gandhi epitomised non-violence as a potent tool to express one’s strong dissension against injustice. His peaceful protests against the brutal force […]
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When I was completing the edit of my film ‘Remembering Bimal Roy‘ on my father, my editor asked me who would do the final sound design. This was the first time I heard the term sound design and realised that my documentary would need one. Shajith By sheer serendipity a dear friend Meena Pillai mentioned that […]
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Have you ever had the opportunity to observe an actor observing himself? Naseeruddin Shah: The Angel of Chaos Early Noughties, Mumbai. In a sultry Mumbai studio, poet extraordinaire Gulzar’s face flickers on a mounted screen. He’s paying a tribute to Naseeruddin Shah, today’s guest on the sets of Jeena Isi ka Naam Hai, one of […]
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To my sorrow I never really got to know my father. I sometimes feel that if he had lived longer, perhaps my brother, Joy Bimal Roy, or I could have worked with him and learnt the craft in a way that no school or textbook can teach. But my father did not really like us visiting […]
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Shoma Chatterji is the author of 24 books, including 12 on cinema. A PhD in Indian cinema history, she has been honoured with the Rotary Club Lifetime Achievement Award, Bengal Film Journalists Association’s Best Critic Award, Bharat Nirman Award, UNFPA–Laadli Media Special Award, Kalyan Kumar Mitra Award, & 2 National Film Awards. What is […]
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A tragedy in three parts, each separated by prolonged blackouts, The Disciple takes shape using the Indian classical music fraternity as one big metaphor to demonstrate how in today’s world of self-promotion and exaggerated marketing, degradation has occurred in almost every field, and how our blinded attitudes are responsible for the distortion of many of […]
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Artist Warning: this analysis of The Disciple contains spoilers. Artist The protagonist of The Disciple, Sharad Nerulkar, above all is a seeker, and is deeply in love with music, aspiring for absolute union with his art; thus making this a love story, albeit, not a conventional one. The conflict in its external form is society and […]
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